ART DIGITAL
SÉQUENCES FIXES

Ces œuvres s'ancrent dans l'exploration des possibilités qu'offre la manipulation numérique, utilisant des outils avancés de modélisation et d'animation 3D. Ce processus transforme les logiciels en véritables laboratoires, et les détourne de leurs usages conventionnels.
Unique, chaque œuvre matérialisée représente un fragment précis de ces écosystèmes virtuels en perpétuelle mutation.

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Air (III-510)
Air (III-510#561)
Air (III-510#529)
Air (III-510#558)
Air (III-510#543)
Air (III-510#523)
Air (III-510#535)
Air (III-510#539)
Air (III-510#527)
Air (III-510#571)
detail
BENECH-Caroline TOM (VI-025)
TOM (VI-025#183)
TOM (VI-025#184)
TOM (VI-025#177)
TOM (VI-025#166)
TOM (VI-025#162)
TOM (VI-025#169)
TOM (VI-025#170)
TOM (VI-025#165)
TOM (VI-025#163)
BENECH-Caroline TOM (VI-161)
White Sands (III-200#041)
White Sands (III-200#042)
White Sands (III-200#047)
White Sands (III-200#049)
White Sands (III-200#044)
White Sands (III-200#041)
BENECH-Caroline TOM (VI-161)
Two Forms (IX-750#564)
Two Forms (IX-750#568)
Two Forms (IX-750#564)
Two Forms (IX-750#571)
Two Forms (IX-750#562)
Reef (IX-600#076) projet
Reef (IX-600#062)
Reef (IX-600#066)
Reef (IX-600#068)
Reef (IX-600#075)
Reef (IX-600#091)
Reef (IX-600#097)
Reef (IX-600#092)
Reef (IX-600#091) projet
Reef (IX-600#076)
Reef (IX-600#065)
BENECH-Caroline Orchid (VI-017)
Orchid (VI-017#726)
Orchid (VI-017#730)
Orchid (VI-017#718)
Orchid (VI-017#731)
Orchid (VI-017#755)
Orchid (VI-017#742)
Orchid (VI-017#746)
Orchid (VI-017#752)
Orchid (VI-017#719)
Claude (VIII-004#437)
Claude (VIII-004#452)
Claude (VIII-004#449)
Claude (VIII-004#448)
Claude (VIII-004#442)
Claude (VIII-004#453)
Claude (VIII-004#445)
Claude (VIII-004#459)
Rouge (XI-051#026)
Rouge (XI-051#018)
Rouge (XI-051#029)
Rouge (XI-051#019)
Rouge (XI-051#026)
Rouge (XI-051#015)
Rouge (XI-051#027)
After the rain (IV-031)
After the rain (IV-031#074)
After the rain (IV-031#083)
After the rain (IV-031#090)
After the rain (IV-031#094)
After the rain (IV-031#095)
After the rain (IV-031#072)
After the rain (IV-031#092)
Yves (IX-700#038)
Yves (IX-700#039)
Yves (IX-700#058)
Yves (IX-700#038)
Yves (IX-700#055)
Yves (IX-700#063)
Yves (IX-700#065)
Red Cyan (V-002#094)
Red Cyan (V-002#048)
Red Cyan (V-002#098)
Red Cyan (V-002#094)
Red Cyan (V-002#081)
Red Cyan (V-002#048)
Bloom (VI-030#536)
Light and shapes (XVI-010#024)
Light and shapes (XVI-010#038)
Light and shapes (XVI-010#035)
Light and shapes (XVI-010#018)
Anemone (II-221#338)
Anemone (II-221#286)
Anemone (II-221#348)
Anemone (II-221#338)
Anemone (II-221#437)
Anemone (II-221#420)
Bloom (VI-030#536)
Bloom (VI-030#548)
Bloom (VI-030#536)
Bloom (VI-030#526)
Bloom (VI-030#533)
Bloom (VI-030#534)
Bloom (VI-030#547)
Summer Leaves (VI-023)
Summer Leaves (VI-023#091)
Summer Leaves (VI-023#105)
Summer Leaves (VI-023#094)
Summer Leaves (VI-023#101)
Summer Leaves (VI-023#089)
Summer Leaves (VI-023#106)
Summer Leaves (VI-023#107)
Summer Leaves (VI-023#093)
Verde Para Sempre (X-630)










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© Copyright Caroline Benech